The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.

You seldom get a censorship attempt from a 14-year-old boy. It's the adults who get upset.

A writer must take risks, defy the odds, be a bit obsessed and a little mad.

Affection is one of the most neglected words in the English language, that people throw the word love around like confetti when they mean affection.

It would be nice to avoid the world, to leave it and all its threats and unhappiness. Not to die or anything like that, but to find a place of solitude and solace.

I simply write with an intelligent reader in mind. I don't think about how old they are.

He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page.