A writer must take risks, defy the odds, be a bit obsessed and a little mad.

A man I know who writes and aspires to be a novelist does very little reading, and he's not that successful. But I think it's because he's like the kid who wants to be a ballplayer and never goes to the ballpark or tries to hit a ball. So I'd say reading is the most important thing that I do, besides the actual writing. I'm always asking as I read, "How did the writer do this? Why do I suddenly have tears in my eyes? Why am I crying?"

I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.

That's what Archie did - built a house nobody could anticipate a need for, except himself, a house that was invisible to everyone else.

I don't mean to be insolent. I'm truthful. I tell the truth and the truth sometimes hurts. For instance, you have bad breath, Lieutenant. I can smell it from here. It must offend a lot of people. That's the truth. But how many people have told you that? Instead, they either lie or try to avoid your company.

...pain reaches a certain point and does not get worse but remains in all its intensity and you can survive it.

The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.