Do I dare disturb the universe? Yes, I do, I do. I think. Jerry suddenly understood the poster--the solitary man on the beach standing upright and alone and unafraid, poised at the moment of making himself heard and known in the world, the universe.

When you get the ideas, that's a thrill; when you're writing the book and it's corning out well, that's a thrill; when you finish it and other people read it, that's a thrill. There are going to be reviews, of course; not everyone's going to love it. You feel sort of naked and vulnerable in a way. That's just a minor part of the process, really. If you can't take that part, you shouldn't be in the business. But there are so many joys to writing.

I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.

You could reason with someone who was halfway educated and appeal to his intelligence, but I felt helpless in the face of utter stupidity.

The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.

It doesn't matter how big the body, it's what you do with it.

Everybody sins, Francis. The terrible thing is that we love our sins. We love the thing that makes us evil.