I didn't want to become this stiffened - and that was just a personal choice, at that time. And, the idea was also to go to film first, get enough notoriety in film that I could interpret some of the opera stuff the way I would want to interpret it.

That's what [Frank] Sinatra did. He was the first artist to come out in a major way against anti-Semitism and racial bigotry. And those are huge things back in the 50s and 60s and 70s - and he was doing this in the 40s.

Quincy [Jones] is one of the greatest world figures, of all-time. I mean he's up there with Muhammad Ali, as far as I'm concerned. His humanitarian work, his contribution to the world and music - he's really an amazing man. Even political divides don't affect his humanity. So, to me, that was extremely meaningful.

I sing My Way, I say this to the whole country, "Well, the President of Estonia sent me a message." He heard about it because of what's happening in Russia right now and the power grab that [Vladimir] Putin has.

I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.

I would want to bring a certain kind of unity and awareness to different things. Even in the 80s, I wanted to do something with Unicef, and I wrote a song for Unicef, but I didn't have any means or the celebrity.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.