I didn't want to become this stiffened - and that was just a personal choice, at that time. And, the idea was also to go to film first, get enough notoriety in film that I could interpret some of the opera stuff the way I would want to interpret it.

I think back, when I saw The Great Gatsby, the film, my grandfather probably helped supply all the alcohol to all these Southampton parties, back then.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.

And just everyone in the 40s, you got to realize, for his time period, take Justin Bieber and put it on steroids - there was no one like Frank Sinatra before that. And you didn't have the amount of outlets that you have today and the variety that you have today. So, the Great American Songbook united the nation unlike any other music, because there weren't so many different kinds of communications.

His [Frank Sinatra] voice defined not only a certain period of time, but America and what America meant to the world. Sinatra grew up, as my grandparents did, when being Italian was very, very prejudice against, but they didn't let it bring them down or use it as an excuse.

Everyone, young and old, was responding to [Frank] Sinatra. So, the first time that I physically remember, it was as a youth. He always seemed to be there, let me put it that way. I can't remember the exact first time, but I can remember the effect his voice had on me.