Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.

Phil Ramone and Quincy Jones were very close. Phil Ramone was one of the greatest record producers of all time. I don't know if they talk about him enough in the film, but he produced [Frank] Sinatra, Barbra Streisand, all of Billy Joel, Paul McCartney - Phil Ramone was one of the major record engineers and producers.

The [Frank] Sinatra interpretation of the music, as opposed to some other music that you were listening to - where you felt like they were singing at you - you felt Sinatra was singing to you. It's a very intimate art form, and that's what I responded to - the intimacy of his performance.

In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.

I had always been affected by films, as well, of course - and great films.

Here I was in Estonia, doing a concert for 5,000 people, and not many people know the song My Way - Gorbachev in the 80s, My Way had just become a famous song, and [Mikhail] Gorbachev in a satirical, kind of cynical manner coined the term the Sinatra Doctrine and My Way was the song because the Baltic states in the Warsaw Pact wanted to go their own way and secede from the Soviet Union, so joking he says," Yeah, we've got the Sinatra Doctrine now."

Oddly enough, my mother was born in Southampton. I have roots in Southampton, Bridgehampton, Sag Harbor. My grandfather, her father, Stefano Rullo, when he came from Naples, he went to Pennsylvania and worked coal mines.