Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.

[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.

His [Frank Sinatra] voice defined not only a certain period of time, but America and what America meant to the world. Sinatra grew up, as my grandparents did, when being Italian was very, very prejudice against, but they didn't let it bring them down or use it as an excuse.

My grandmother told a story that when they used to leave from Southampton to go into the City, because he had apartment buildings in Queens - I was born in Astoria, Queens - they had apartment buildings in Queens and Manhattan, different businesses, and she wanted to pick blueberries on the side of the road and he wouldn't stop, so my grandma used to throw her purse out the window. She never had less than $4,000 cash, back in the 20s, and he would then stop the car and she would pick blueberries. And, he never had a record.

Phil Ramone and Quincy Jones were very close. Phil Ramone was one of the greatest record producers of all time. I don't know if they talk about him enough in the film, but he produced [Frank] Sinatra, Barbra Streisand, all of Billy Joel, Paul McCartney - Phil Ramone was one of the major record engineers and producers.

The music and the message, to me, is something that is imperative and that's what drives me know.

I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.