That's what [Frank] Sinatra did. He was the first artist to come out in a major way against anti-Semitism and racial bigotry. And those are huge things back in the 50s and 60s and 70s - and he was doing this in the 40s.

Everyone, young and old, was responding to [Frank] Sinatra. So, the first time that I physically remember, it was as a youth. He always seemed to be there, let me put it that way. I can't remember the exact first time, but I can remember the effect his voice had on me.

[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.

You have to have a certain kind of celebrity to pull something that big together, but I had a whole thing called The Spirit of Man that I wanted to do worldwide concerts in celebration for the spirit of man. So, as I move forward, that would be the kind of thing that I have.

I would want to bring a certain kind of unity and awareness to different things. Even in the 80s, I wanted to do something with Unicef, and I wrote a song for Unicef, but I didn't have any means or the celebrity.

My parents, the effect that [Frank Sinatra] had on the Italian community, in terms of all our friends at the house were multicultural. We weren't just Italians. My dad's close friend was a black gentleman - this was back in the early 50s when Tony Bennett was reprimanded for having lunch, when he was in the military, with a black man.

It didn't feel organic and [Tito] Gobbi was one of the artists that was able to, along with Maria Callas, incorporate not just the sound, but the emotion, the technique of the singing.