I had a little bit of a vocal strain at a certain period of time that made me lay off the singing, and while I was lying off the singing, I was pursuing the acting.

Quincy [Jones] is one of the greatest world figures, of all-time. I mean he's up there with Muhammad Ali, as far as I'm concerned. His humanitarian work, his contribution to the world and music - he's really an amazing man. Even political divides don't affect his humanity. So, to me, that was extremely meaningful.

I would want to bring a certain kind of unity and awareness to different things. Even in the 80s, I wanted to do something with Unicef, and I wrote a song for Unicef, but I didn't have any means or the celebrity.

In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.

I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.

My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.

You have to have a certain kind of celebrity to pull something that big together, but I had a whole thing called The Spirit of Man that I wanted to do worldwide concerts in celebration for the spirit of man. So, as I move forward, that would be the kind of thing that I have.