If it's the right chair, it doesn't take too long to get comfortable in it.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

Auditions are like a gamble. Most likely you won't get the part, but if you don't go, you'll never know if you could've got it.

According to a new survey, women say they feel more comfortable undressing in front of men than they do undressing in front of other women. They say that women are too judgmental, where, of course, men are just grateful.

I think it's important to have had at least a few years of obscurity, where people treat you like everybody else.

You draw on whatever’s relevant to the part you’re playing; it makes it more personal.

I didn't have a problem with rejection, because when you go into an audition, you're rejected already. There are hundreds of other actors. You're behind the eight ball when you go in there.