If we do a sequel, I want to beat somebody's ass!

A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.

My definition of a good hotel is a place I'd stay at.

There are certain things I am clueless about as far as the new technologies. I see these people in front of these computers all day and I don't know what they are doing - they are doing something, obviously - with Facebook, Instagram and all that. I am aware of it, but basically not in touch.

The one thing I always talk about in terms of restaurants is consistency.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

Sometimes if you have financial restraints, it's a benefit. It forces you to come up with a more creative way.