My definition of a good hotel is a place I'd stay at.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

As a kid I didn't root for the bad guys.

Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.

If we do a sequel, I want to beat somebody's ass!

You'll have time to rest when you're dead.

Reputation, you know – a lifetime to build, seconds to destroy.