But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.

If Art relates itself to an Object, it becomes descriptive, divisionist, literary.

Simultaneity in light is harmony, the rhythm of colors which creates the Vision of Man.

Light in Nature creates the movement of colors.

Nature engenders the science of painting

Vision is the true creative rhythm.

The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.