Despite the war, and bombings, and all the big things that happen to us, the stuff of our lives is small and always will be. During a war it is different, but even then, it is perfectly possible to write novels during a major war, which are about those thing which endure. It is what makes us human and the thing which is going to keep going.

Writers feel that they can't afford to wait. They must do it now, and they are so clever, and there is so much competition. I'm quite happy to wait, and quite confident that the muses will cross the stream.

Those are the two things: a sense of loving and being loved, and being creative - that is what life is made up of, and what literature reminds us of.

One has to choose a word in English. If you want to be eligible for a literary prize you have to designate it as something.

I think that in this globalised world, the local is going to become more and more important - it is a paradox. You see it in Western Europe more and more. Eastern Europe is still coming out of the Soviet uniform cultural era, but this kind of separation and nationalism is very obvious now in Western Europe.

It is much easier for me to define what makes a novel French or Russian, but defining the characteristics of an Australian novel are difficult for me as it is all too close - I can't see the woods for the trees.

One of the unfortunate things about creative writing courses is that they make people impatient. People feel that they have prepared themselves and that they must now do it. In fact there are positive incentives for doing so - universities are offering degrees for writing novels.