Remember that just because you hit bottom doesn't mean you have to stay there.

I like to be a little more difficult to nail down that that just inside myself, but when someone's motivations, even if they wind up falling in one side or the other of the debate, when they're personal and also when they're masked by something that only the audience knows is really their motivation, that to me is just what I call entertainment.

I need a lot of support... Life is really hard, and I don't see some active benevolent force out there. I see it as basically a really cool survival game. You get on the right side of the tracks, and you now are actually working with what some people would call magic.

It's become this really odd thing where even some of the folks who build the things that we wear for entertainment are contacted by DARPA-esque companies who are saying, "Yeah, we're really doing that, and we want to talk to you."

I saw School of Rock, and I was like, why haven't I worked with Richard Linklater already? Then by the time I got him I was like, I'm really pissed off I feel like you owe me some retroactive swag. He gave me the 10-year anniversary "Dazed and Confused" T-shirt, which I still wear with relish.

Nothing will serve you better than a strong work ethic. Nothing. And it's something that you can't teach. You have to be thrown into it, where you're going to sink or swim. It's amazing how self-correcting and how clarifying a good, hard, shitty job can be. Because at the end of the day, any profession I've seen anybody in, when you peer behind the curtains of Oh, wouldn't that be a great job? Wow, what an amazing thing, a philanthropic endeavor! it really just comes down to It's a f**king grind.

Every time I feel that I really hit critical mass and I'm in the right place is when I feel like the director and I become a third thing, and that's the character.