I remember when people said, "Man, that's a powerful scene in the movie!" and I was like, "We just shot this thing before lunch, I don't know, he tears a log apart, I said some words".

I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.

I would say that among my many huge emotional miscalculations was my taking a film career for granted. It is the most awesome privilege to be able to use one's imagination and wit, physicality and musicality, conscious brain and unconscious instinct in the service of a work that has a chance to move and excite and amuse and delight people all over the world, including long after we're dead. What a noble calling! And I felt it was just there for me as a kind of given, some sort of inherited birthright-when in reality it's the most magnificent luxury.

Mediocrity is my biggest fear. I'm not afraid of total failure because I don't think that will happen. I'm not afraid of success because that beats the hell out of failure. It's being in the middle that scares me.

I think you end up doing the stuff you were supposed to do at the time you were supposed to do it.

I used to be so convinced that happiness was the goal, yet all those years I was chasing after it I was unhappy in the pursuit. Maybe the goal really should be a life that values honor, duty, good work, friends and family.

Nothing will serve you better than a strong work ethic. Nothing. And it's something that you can't teach. You have to be thrown into it, where you're going to sink or swim. It's amazing how self-correcting and how clarifying a good, hard, shitty job can be. Because at the end of the day, any profession I've seen anybody in, when you peer behind the curtains of Oh, wouldn't that be a great job? Wow, what an amazing thing, a philanthropic endeavor! it really just comes down to It's a f**king grind.