There are no mistakes, save one: the failure to learn from a mistake.

So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.

That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.

I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.

What is necessary is possible, what we want is expensive. What is unnecessary is unlikely.

The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.