The way we describe our world shows how we think of our world. How we think of our world governs how we interpret our world. How we interpret our world directs how we participate in the world. How we participate in the world shapes the world.

Business logic and musical logic are utterly incompatible.

I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.

Purely by hard work, one can become an artist.

The way we describe our world shows how we think of our world. How we think of our world governs how we interpret our world. How we interpret our world directs how we participate in the world. How we participate in the world shapes the world.

That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.

The plot details of B movies are irrational: accept that people do things that are contradictory, against their own best interests, have short term aims & limited attention span, and do incredibly stupid things while things blow up. Apart from things blowing up, this is just like the music industry.