Style is that which indicates how the writer takes himself and what he is saying. It is the mind skating circles around itself as it moves forward.

I have been one acquainted with the night. I have walked out in rain - and back in rain. I have out walked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet. When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly light, One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.

The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.

Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offence. Something there is that doesn't love a wall, That wants it down.

It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same for love.

Half the world is composed of people who have something to say and can't, and the other half who have nothing to say and keep on saying it.

What you want, what you're hanging around in the world waiting for, is for something to occur to you.