The sap of Spring in the young wood a-stir Will celebrate with green the Mother, And every song-bird shout awhile for her; But we are gifted, even in November Rawest of seasons, with so huge a sense Of Her nakedly worn magnificence We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall.

If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.

Let all the poison that lurks in the mud, hatch out.

There is no such thing as good writing, only good rewriting.

To know only one thing well is to have a barbaric mind: civilization implies the graceful relation of all varieties of experience to a central humane system of thought. The present age is peculiarly barbaric: introduce, say, a Hebrew scholar to an ichthyologist or an authority on Danish place names and the pair of them would have no single topic in common but the weather or the war (if there happened to be a war in progress, which is usual in this barbaric age).

She tells her love while half asleep, In the dark hours, With half-words whispered low: As Earth stirs in her winter sleep And puts out grass and flowers Despite the snow, Despite the falling snow.

The difference between you and her (whom I to you did once prefer) Is clear enough to settle: She like a diamond shone, but you Shine like an early drop of dew Poised on a red rose petal. The dew-drop carries in its eye Mountain and forest, sea and sky, With every change of weather; Contrariwise, a diamond splits The prospect into idle bits That none can piece together.