O for a summer noon, when light and breeze Sport on the grass, like ripples o'er a lake Alive with freshness! when the full round Sun, With the Creator's smile upon his face, Walks like a prince of glory through the path Of Heaven! - Thou vast, and ever-glorious sky, Mantling the earth with thy majestic robe.

How oft, - be witness, Guardian of our days!... The sky besprinkled o'er with rainbow hues, As if angelic wings had wanton'd there.

If you are lucky enough to be a success, by all means enjoy the applause and the adulation of the public. But never, never believe it.

Oh! now to be alone, on some grand height, Where heaven’s black curtains shadow all the sight, And watch the swollen clouds their bosom clash, While fleet and far the living lightnings flash... And see the fiery arrows fall and rise, In dizzy chase along the rattling skies,— How stirs the spirit while the echoes roll, And God, in thunder, rocks from pole to pole!

Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.

My advice to you concerning applause is this: enjoy it but never quite believe it