If you are lucky enough to be a success, by all means enjoy the applause and the adulation of the public. But never, never believe it.

How sublime Upon a time-blanch’d cliff to muse, and, while The eagle glories in a sea of air, To mingle with the scene around! - Survey The sun-warm heaven.

Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

Oh! weep not that our beauty wears Beneath the wings of Time; That age o'erclouds the brow with cares That once was raised sublime... But mourn the inward wreck we feel As hoary years depart, And Time's effacing fingers steal Young feelings from the heart!

The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.

O for a summer noon, when light and breeze Sport on the grass, like ripples o'er a lake Alive with freshness! when the full round Sun, With the Creator's smile upon his face, Walks like a prince of glory through the path Of Heaven! - Thou vast, and ever-glorious sky, Mantling the earth with thy majestic robe.

I'm not avoiding your question on my relationship to the fashion world or my work being shown in a fashion setting. My work's most often seen in the streets on billboards. I don't know if it being seen in a shop is any much different.