I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal Of Honor. It's the best endorsement you could get as a moviemaker.

The closest to Hepburn is Cate Blanchett.

There’s something about Olivia de Havilland that has always set her apart from other actresses. Maybe it’s the combination of warmth, sensitivity and intelligence she conveys, or the way her good looks have always been further enhanced by the ever-present twinkle in her eyes or the wisdom you sense behind those orbs.

I can't imagine any one more delightful to sit and talk with about movies on a regular basis.

For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."

The press today is full of people who are not qualified and not trying very hard to be good reporters.

My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.