I always knew I was going to be successful in some way with films. I don't know why. I had no particular talent, but I always knew I was going to be sitting in a dining room with Lucille Ball and at a cocktail party with Bette Davis.

I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.

It's hard to be reverent today when directors make films that are not as good. There will be time later, though, when their lesser films are forgotten and just focus on the greatness.

For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."

America once had the clarity of the pioneer ax.

Of all the jaw-droppingly beautiful women who've become genuine movie stars, none has had a longer film career (62 years), has been filmed in Technicolor more often (34 times), has had a more versatile group of leading men (from John Wayne to John Candy) or has spent more time held captive on a pirate ship than our TCM Star of the Month for July, the magnificent red-headed Maureen O'Hara.

I always knew I was going to be successful in some way with films. I don't know why. I had no particular talent, but I always knew I was going to be sitting in a dining room with Lucille Ball and at a cocktail party with Bette Davis.