I don't even know if Stephenie [Meyer] could tell you why she was so fixated on [Twilight] very, very contained story about these very obsessive characters. It's just an anomaly.

I’m just trying to not be in stupid gossip magazines, basically, and I think the best way to do it is never be photographed ever. As I get older, I just get more and more and more self-conscious about getting photographed. I don’t know why. I’ve done it too many times and now I feel like everyone can see through me.

I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.

I might go to some tiny little town in Idaho with, like, three people living there.

It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.

I have very, very specific ideas about how I want to do my work and how I want to be perceived and to the point of ridiculousness sometimes.

It happened while I was filming “Water for Elephants in which my partner is Reese Witherspoon. We had a scene with elephants but there were so many paparazzi around that it was scaring the animals and it was impossible to film. Out of the blue, fans, that were waiting for autographs, had enough and circled around the paparazzi. Teens made big guys run away. It was unreal! I was pleased.