I have to look over my shoulder all the time, be really vigilant because at any moment, someone could be filming me or recording what I'm saying.

The most embarassing is when friends ask you to meet up with them and you have to tell them "Sorry I can't go to that place" because you're fully aware photographers will be waiting for you there. I feel like such a weasle when things like that happen, like the world has to revolve around me.

To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.

Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.

When I was flying to Rome, we flew over London; I felt like bursting into tears. It's part of me, so I can't leave London behind for good.

When someone tells you the fundamentals you think that everything's going to come out and be amazing.

The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.