In a lot of ways, I was kind of crossing lines of what I thought I was comfortable doing. I had to do all this naked stuff.

Recently I stood in the desert, far out side of L. A., and watched the sun set on a circus tent from 1930. Every where stood animals: elephants, tigers that should be loaded into a steam train. 300 extras in costumes raced around, the modern world had disappeared totally. Although that was totally fake, it still happened directly before my eyes! That was my perfect day. I would be gladly experience that every day. It happens continually to me: It calls itself work. That is wonderful and more than enough.

Only for practical reasons. To find out if I said something stupid in an interview. So I can limit the damage.

I still remember, I think it was with the third movie, when we went to Munich and the entire Olympic stadium was filled with fans, and just to walk in there and do nothing.

It was hilarious [last scene with Edward Cullen] considering we'd spent the entire series filming in the most miserable conditions, and then we end on the beach in the Caribbean filming for two days in the sea. That was fun. We literally did the last shot as the sun was coming up in St. Thomas in the Virgin Islands. It was a nice way to end it, because they were considering shooting it in the sea in Vancouver, which would not have worked at all.

New York seems very very foreign to me, like more foreign than almost anywhere in America, and almost anywhere in the world, I find it like one of the most overwhelming places.

I am now determined to do really weird parts but I think I overdo it in auditions so nobody really trusts me!