I don't think anyone knows why people like [Twilight]. I don't think even the fans know why they connect with it the way they do. It's a visceral thing.

I have very, very low expenditures, but still I manage to spend it all. I guess Hot Pockets are more expensive than I thought.

I have no reason to influence people. I just want to have it all for myself. I just want someone to pat me on the back. (laugh) It's crazy. It seems just completely ridiculous. I don't know why. I mean, three years ago, I wouldn't be able to influence my dog to walk.

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

It's nice that I've grown up with the same friends since I was 12, I have a very close knit set of them... I grew up with a lot of people who a lot of other people regarded as heroes, and no one ever came to me for advice, no one ever came to me for protection, and so I don't ever really think I've been looked at as a hero.

This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle. And you can't go up from down below as well, 'cause I've got, like, rock solid gelled hair. And so, like, it was odd. I don't know, sometimes I feel like my head is being, like, turned inside out. Like that episode of Ren & Stimpy when he's inside his own belly button. I don't know.

I have to look over my shoulder all the time, be really vigilant because at any moment, someone could be filming me or recording what I'm saying.