I use the music almost as a compass in some kind of quasi-romantic way. I try and go to places that I'm intrigued by, and I take this music with me, using my name at the front.

My mother was a gypsy, and she had a lot of dark blood in her, and her hair was very, very thick - she couldn't even get a brush through it. So I have been very fortunate. And every time I go to cut it off, hairdressers refuse to do it.

Alice Cooper's weirdnesses must really make the kids feel violent. These kids are like my sister, young people of 14 or so who've come to enjoy themselves. So you put things like that in front of them, and I don't think it's right.

When you're singing we all phrase each other in the most remarkable ways. I might hit some sort of thing I've never done before - some vocal pattern. Bonzo will pick it up - he'll phrase with me instantly and then Pagey may join in or start some other phrase - it's like a quadrant.

The States were much more fun. L.A. was L.A. It's not L.A. now. L.A. infested with jaded 12-year-olds is not the L.A. that I really dug.

I put a lot of work into my lyrics. Not all my stuff is meant to be scrutinized, though.

I think I could sing and shear a few sheep at the same time.