Yeah, I think the point has well and truly sunk in by now, and I can just carry on. I don't even know what I'm looking for except a bit of hilarity and mild insanity musically, and I can get none of that by just delving into the history.

The kind of vocal exaggeration that I developed was based on what key songs were in.

What I lack in style and craft, I can make up for in joy and enthusiasm. I like to be around people who are at ease so I like to think the 25-year-old would find me quite an easy-going late-middle-aged hippie.

I don't think I've aged gracefully.

The essence of Bonham is what he didn't play rather than what he did play - what he left out.

I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.

Each album has a different atmosphere. The third album and Houses of the Holy seem to be the two albums that people didn't get off on quite as strongly as the other ones. But I think they contain the basic ingredients for the further pursuance of what we're doing... the turning point to relieve the tedium of repetition.