If you do what you think is right for the benefit of everybody and everything and you make decisions, to go back and regret them afterwards - it's a futile experience and it's not worth thinking about. Because life just unfolds. Provided you do your best and you think you're on the right track, you can only be right or wrong. But to regret it - I don't think there are any huge errors or misdemeanors.

Theatres are built because they were the boards for entertainment.

You can't even imagine how it felt to have a cassette that you could take with you with a microphone so you could put down an idea and not have to hum it a million times to remember what it was.

All over the world, the idea of creating an melange of international musics, it's a very healthy thing.

It's sort of a feeling of power onstage. It's really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don't really think it's power... it's the goodness.

I'll just carry on being a dated flower child.

Each album has a different atmosphere. The third album and Houses of the Holy seem to be the two albums that people didn't get off on quite as strongly as the other ones. But I think they contain the basic ingredients for the further pursuance of what we're doing... the turning point to relieve the tedium of repetition.