An empty canvas is full.

My fascination with images open 24 hrs. is based on the complex interlocking if disparate facts heated pool that have no respect for grammar. The form then Denver 39 is second hand to nothing. The work then has a chance to electric service become its own cliché. Luggage. This is the inevitable fate fair ground of any inanimate object freightways by this I mean anything that does not have inconsistency as a possibility built in.

By the time you establish your priorities, there really isn't any fun or need to interest yourself in what you're doing. And this I find disastrous.

Most artists try to break your heart, or they accidentally break their own hearts.But I find the quietness in the ordinary much more satisfying.

With me, it's much more a matter of accepting whatever happens, accepting all these elements from the outside and then trying to work with them in a sort of free collaboration.

And I think a painting has such a limited life anyway

One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks this passionate commitment, there is nothing left to do. Then it is best to leave it alone.