Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.

Like all actors, I was open to taking on new challenges, including those outside my comfort zone.

Politics right now is in a very dark place, and I think the only place for me is to do what I do - make films, create art, watch it as it evolves. Right now it's like Humpty Dumpty sitting on a wall, and a great fall is happening. The behavior seems to be really dumb.

I look at going to Hollywood as going behind enemy lines. You parachute in, set up the explosion, then fly out before it goes off.

So what if my face is falling apart? I don't give a damn. Anyway, it gives me character. Everyone thinks that they can stay pretty forever but some come out of Beverly Hills surgeries looking scary to me.

Once you leave Sundance suddenly you run into bulldozers and concrete and cranes, and all that heritage that the Mormon culture used to be so proud of is turned into out of control develpoment.

Television tells us only the things it wants to. It still feeds us heroes, it still offers villains. And even though we know better than to always trust it, we still watch.