I felt what I was trying to do was make people realize that comics could be deep. I stopped myself in the middle of saying that because the Bazooka Joe thing I do with Dante's Inferno, that was just a goof. I wasn't trying to make people look at Bazooka Joe more seriously. But in my mind it's always been important.

I'm such a product of my media diet... it's interesting that you say what I do is observational. It's observational as far as it goes - to the extent that I observe media closely. Kriota might have a better sense of this. I don't always have the best sense of how human nature works, but I certainly know how to dismantle representations of characters.

I guess I try to find the humor by juxtaposing deeper themes in literature with what people perceive as being lighter, disposable children's fare in comics.

I do try to compress a lot of information into what I do. It's funny.

The characters have desperation and it doesn't work out for everyone. Maybe it's not fair because I'm responding to the adaptations that smooth out the edges.

Well, I'm drawn to stuff that is darker. I will probably do a version of Jane Austen at some point because her books are really well known. Unfortunately they've been parodied to death, but they're so well known that I feel like I should approach it and I think I have an idea that will definitely spin it in a different way. There's melancholy and sadness around the edges. I haven't read all of her books, but it seems they often have... essentially happy endings?

But lots of people do parody now. The whole mash-up thing that's so prevalent now was starting in the 80's when I was starting to think about this stuff. I certainly wasn't the first person to do it but now... comics mash-ups, all kinds of mash-ups are everywhere.