That's a pretty story,' said Afanasievna as she let go of Ansky's genitals. 'A pity I'm too old and have seen to much to believe it.' It has nothing to do with belief,' said Ansky, 'it has to do with understanding, and then changing.

There is a time for reciting poems and a time for fists.

Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.

…I realized my happiness was artificial. I felt happy because I saw the others were happy and because I knew I should feel happy, but I wasn't really happy.

The truth is we never stop being children, terrible children covered in sores and knotty veins and tumors and age spots, but ultimately children, in other words we never stop clinging to life because we are life.

The pain, or the memory of pain, that here was literally sucked away by something nameless until only a void was left. The knowledge that this question was possible: pain that turns finally into emptiness. The knowledge that the same equation applied to everything, more or less.

Only in chaos are we conceivable.