When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

The point is just to create a discipline for making sure that you're creating material.

You're never done. You're not done until it's projecting in the theater.

A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

Sci fi allowed us to be more true to the western than maybe even doing a literal western.

We wanted to present the Headless Horseman in a new light. That's where the fun comes in, of just diving in.