A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

You're never done. You're not done until it's projecting in the theater.

When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.

A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

The point is just to create a discipline for making sure that you're creating material.

We wanted to present the Headless Horseman in a new light. That's where the fun comes in, of just diving in.