The point is just to create a discipline for making sure that you're creating material.

You're never done. You're not done until it's projecting in the theater.

I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.

Sci fi allowed us to be more true to the western than maybe even doing a literal western.

We wanted to present the Headless Horseman in a new light. That's where the fun comes in, of just diving in.

When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

The point is just to create a discipline for making sure that you're creating material.