The point is just to create a discipline for making sure that you're creating material.

Sci fi allowed us to be more true to the western than maybe even doing a literal western.

A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

The higher the IQ the lower the EQ. The more intelligent you are, the lower your ability is to communicate emotionally with people.

When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

You're never done. You're not done until it's projecting in the theater.

I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.