That was what stuck in the craws of all the good women of Deptford: Mrs Dempster had not been raped, as a decent woman would have been-no, she had yielded because a man wanted her. The subject was not one that could be freely discussed even among intimates, but it was understood without saying that if women began to yield for such reasons as that, marriage and society would not last long. Any man who spoke up for Mrs Dempster probably believed in Free Love. Certainly he associated sex with pleasure, and that put him in a class with filthy thinkers like Cece Athelstan.

The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.

To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

Conversation in its true meaning isn't all wagging the tongue; sometimes it is a deeply shared silence.

Only a fool expects to be happy all the time.

Moderation, the Golden Mean, the Aristonmetron, is the secret of wisdom and of happiness. But it does not mean embracing an unadventurous mediocrity; rather it is an elaborate balancing act, a feat of intellectual skill demanding constant vigilance. Its aim is a reconciliation of opposites.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.