But the uproar this caused was nothing compared with the uproar when Katronia noticed [Rosie] had also cut her eyelashes. Various negotiations (including, finally, such desperate measures as "supposing you ever want to eat again") eventually produced the grudging promise that, in return for Katronia keeping her hair cut short, she would leave her eyelashes alone.

But the uproar this caused was nothing compared with the uproar when Katronia noticed [Rosie] had also cut her eyelashes. Various negotiations (including, finally, such desperate measures as "supposing you ever want to eat again") eventually produced the grudging promise that, in return for Katronia keeping her hair cut short, she would leave her eyelashes alone.

The great thing about fantasy is that you can drag dreams and longings and hopes and fears and strivings out of your subconscious and call them 'magic' or 'dragons' or 'faeries' and get to know them better. But then I write the stuff. Obviously I'm prejudiced.

Feeling at peace, however fragilely, made it easy to slip into the visionary end of the dark-sight. The rose shadows said that they loved the sun, but that they also loved the dark, where their roots grew through the lightless mystery of the earth. The roses said: You do not have to choose.

It seems to me further, that it is very odd that fate should leave so careful a trail, and spend so little time preparing the one that must follow it.

I don't differentiate in the way that the genre creators want differentiation to be made. I feel that I have never written children's or YA stories particularly.

What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.