Maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise.

People say, "I can't take you seriously because you're so young." But I think when you're young, what you feel is more pure.

Technology has a lot to do with how the world is developing at the moment because there are very raw and pure and primal emotions that people are communicating to each other over the Internet.

Sometimes I think that everyone has a tragedy waiting for them, that the people buying milk in their pajamas or picking their noses at stoplights could be only moments away from disaster. That everyone's life, no matter how unremarkable, has a moment when it will become extraordinary - a single encounter after which everything that really matters will happen.

People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.

I wondered what things what things became when you no longer needed them, and I wondered what the future would hold once we'd gotten past our personal tragedies and proven them ultimately survivable.

Commercial music is music that a lot of people connect to at the same time, but that doesn't mean it has to be something shallow or without personality.