Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.

Coming up with ideas is the easiest thing on earth. Putting them down is the hardest.

If the producer doesn't like you, consequently he reads the script with a very negative view. But I wouldn't preoccupy myself with that, I don't give a damn. You can be a hunchback and a dwarf and whatall.

Any state, any entity, any ideology that fails to recognize the worth, the dignity, the rights of Man, that state is obsolete.

I just want people to remember me a hundred years from now. I don't care that they're not able to quote any single line that I've written. But just that they can say, "Oh, he was a writer." That's sufficiently an honored position for me.

The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices . . . . And the pity of it is that these things cannot be confined to the Twilight Zone.

An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.