I'm a Western-cultured man who subscribes to the ancient saw that men do not cry, I don't cry either. I'll go to a movie, for example, and not infrequently something triggers the urge to weep, but I don't allow myself.

I guess Requiem for a Heavyweight as old as it is was as honest a piece as I've ever done.

You can be a hunchback and a dwarf and what-all. If you write beautifully, you can write beautifully.

I don't think playing it safe constitutes a retreat, necessarily. In other words, I don't think if, by playing safe he means we are not going to delve into controversy, then if that's what he means he's quite right. I'm not going to delve into controversy. Somebody asked me the other day if this means that I'm going to be a meek conformist, and my answer is no. I'm just acting the role of a tired non-conformist.

I'd rather go along with this sense of illusion that I'm a neutral beast going along through life doing everything that's preordained.

I would guess that the price of the script really is secondary. The credit is much more the essence.

If you're really a good writer and deserve that honored position, then by God, you'll write, and you'll be read, and you'll be produced somehow. It just works that way. If you're just a simple ordinary day-to-day craftsman, no different than most, then the likelihood is that you probably won't make it in writing.