I'd rather go along with this sense of illusion that I'm a neutral beast going along through life doing everything that's preordained.

I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.

If the producer doesn't like you, consequently he reads the script with a very negative view. But I wouldn't preoccupy myself with that, I don't give a damn. You can be a hunchback and a dwarf and whatall.

I would guess that the price of the script really is secondary. The credit is much more the essence.

How can you put on a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper?

The major difference frequently is in time. The motion picture, for example, gives you considerably more freedom of expression than does the confined thirty-minute television show. But in essence, they're not that dissimilar.

I'm afraid that if I started to ponder who I am and what I am, I might not like what I find.