Over the long haul I'd say that most directors I've worked with have been pretty sensitive to the quality of the interpreted scenes.

There are weapons that are simply thoughts. For the record, prejudices can kill and suspicion can destroy.

The writer's role is to menace the public's conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.

The ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in; becoming narcissistic.

How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form.

For the record, prejudices can kill, and suspicion can destroy, and a thoughtless frightened search for a scapegoat has a fallout all its own for the children, and the children yet unborn. And the pity of it is that these things cannot be confined to the Twilight Zone.

I don't have any system. I dictate a lot, through a machine, and I also have a secretary. But I used to type just like everybody else.