I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it.

An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.

It may be said with a degree of assurance that not everything that meets the eye is as it appears.

You unlock the door with the key of imagination.

I don't think playing it safe constitutes a retreat, necessarily. In other words, I don't think if, by playing safe he means we are not going to delve into controversy, then if that's what he means he's quite right. I'm not going to delve into controversy. Somebody asked me the other day if this means that I'm going to be a meek conformist, and my answer is no. I'm just acting the role of a tired non-conformist.

If you write beautifully, you write beautifully, that's all.

I'm frequently surprised, sometimes bugged off, and sometimes happy, depending on the actor. It's a fact of life that just as often as not an actor can breathe life into a line as he can destroy it by misinterpretation, and I've been blessed frequently by having good actors.