Sports are too much with us. Late and soon, sitting and watching - mostly watching on television - we lay waste our powers of identification and enthusiasm and, in time, attention as more and more closing rallies and crucial putts and late field goals and final playoffs and sudden deaths and world records and world championships unreel themselves ceaselessly before our half-lidded eyes.

Our stories about our own lives are a form of fiction, I began to see and become more insistent as we grow older, even as we try to make them come out in some other way.

I felt what I almost always feel when I am watching a ballgame: Just for those two or three hours, there is really no place I would rather be.

Baseball's time is seamless and invisible, a bubble within which players move at exactly the same pace and rhythms as all their predecessors. This is the way the game was played in our youth and in our fathers' youth, and even back then ... there must have been the same feeling that time could be stopped.

The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.

I think I wrote once that baseball in many ways is very much like reading. I said there are more bad books than bad ballgames, or maybe it was the other way around. I can't remember.

Any baseball is beautiful. No other small package comes as close to the ideal design and utility. It is a perfect object for a man's hand. Pick it up and it instantly suggests its purpose; it is meant to be thrown a considerable distance - thrown hard and with precision.