Cub fans, by consensus, are the best in baseball. Year after year, in good times and (mostly) bad, they turn out in vociferous numbers, sustaining themselves with a heavenly ichor that combines loyalty, criticism, cheerfulness, durability, rage, beer and hope, in exquisite proportions.

I felt what I almost always feel when I am watching a ballgame: Just for those two or three hours, there is really no place I would rather be.

Writing is hard, even for authors who do it all the time.

This was a new recognition that perfection is admirable but a trifle inhuman, and that a stumbling kind of semi-success can be much more warming. Most of all, perhaps, these exultant yells for the Mets were also yells for ourselves, and came from a wry, half-understood recognition that there is more Met than Yankee in every one of us. I knew for whom that foghorn blew; it blew for me.

The great thing about catchers is that they do a lot of different things, and they're basically overlooked.

I knew I wasn't a baseball writer. I was scared to death. I really was afraid to talk to players, and I didn't want to go into the press box because I thought I was faking it.

The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.