Cub fans, by consensus, are the best in baseball. Year after year, in good times and (mostly) bad, they turn out in vociferous numbers, sustaining themselves with a heavenly ichor that combines loyalty, criticism, cheerfulness, durability, rage, beer and hope, in exquisite proportions.

Friends of mine said later that they had been riveted by a postgame television close-up of Wade Boggs, sitting alone in the dugout with tears streaming down his face …. I suppose we should all try to find something better or worse to shed tears for than a game, no matter how hard it has been played, but perhaps it is not such a bad thing to see that men can cry at all.

Any baseball is beautiful. No other small package comes as close to the ideal design and utility. It is a perfect object for a man's hand. Pick it up and it instantly suggests its purpose; it is meant to be thrown a considerable distance - thrown hard and with precision.

Life is tough and brimming with loss, and the most we can do about it is to glimpse ourselves clear now and then, and find out what we feel about familiar scenes and recurring faces this time around.

Baseball's time is seamless and invisible, a bubble within which players move at exactly the same pace and rhythms as all their predecessors. This is the way the game was played in our youth and in our fathers' youth, and even back then ... there must have been the same feeling that time could be stopped.

I felt what I almost always feel when I am watching a ballgame: Just for those two or three hours, there is really no place I would rather be.

The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.