Cub fans, by consensus, are the best in baseball. Year after year, in good times and (mostly) bad, they turn out in vociferous numbers, sustaining themselves with a heavenly ichor that combines loyalty, criticism, cheerfulness, durability, rage, beer and hope, in exquisite proportions.

Writing is hard, even for authors who do it all the time.

Our stories about our own lives are a form of fiction, I began to see and become more insistent as we grow older, even as we try to make them come out in some other way.

Sports are too much with us. Late and soon, sitting and watching - mostly watching on television - we lay waste our powers of identification and enthusiasm and, in time, attention as more and more closing rallies and crucial putts and late field goals and final playoffs and sudden deaths and world records and world championships unreel themselves ceaselessly before our half-lidded eyes.

The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.

Cub fans, by consensus, are the best in baseball. Year after year, in good times and (mostly) bad, they turn out in vociferous numbers, sustaining themselves with a heavenly ichor that combines loyalty, criticism, cheerfulness, durability, rage, beer and hope, in exquisite proportions.

Hold a baseball in your hand ... Feel the ball, turn it over in your hand; hold it across the seam or the other way, with the seam just to the side of your middle finger. Speculation stirs. You want to get outdoors and throw this spare and sensual object to somebody or, at the very least, watch somebody else throw it. The game has begun.