When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.

As a producer, I probably am a little stronger than most, since I was a director originally.

You can make a movie about anything, as long as it has a hook to hang the advertising on.

I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.

Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.

I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture, and I became more dependent upon the young people in the office and my own children.

There was a fairly big difference between Detroit and Beverly Hills. I remember this. Detroit actually was a prosperous bustling city when we moved here in 1941. But the first day in Detroit, you always wore a shirt and a tie to school. And I wore a shirt and a tie to Beverly Hills High School, and a girl came up to me and said, "Where are you from?" And I said, "Detroit." And she said, "And you won't be wearing a tie tomorrow, will you?" And I said, "You're absolutely correct." So that was my first adjustment to a slightly more casual environment.