A movie is not about what it is about. It is about how it is about it.

[Marlon] Brando was the only guy who could step out of that shadow at the end of that movie and be worth the wait.

On this ancient and miraculous world, where such beautiful natural and living things have evolved, something has gone wrong when life itself is used as a manufacturing process.

Growing up, I missed the whole 'Three Stooges' thing. Either they weren't on the station in my hometown, or we hadn't bought a TV set yet, or they came to town too late for me. I'm pretty sure that at the right age, I would have loved them.

There are two things you can't argue in film: comedy and eroticism. If something doesn't make you laugh, no one can tell you why it's funny, and it's difficult to reason someone out of an erection.

Teaching prejudice to a child is itself a form of bullying. You've got to be taught to hate.

To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore. And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.