They embrace them because they represent everything that America represents: money, power, and freedom. Why else would you see an old Ugandan woman respectfully listen to a 22-year-old white girl from America telling her what she should or shouldn't believe?

I didn't have a lot of exposure to films as a kid, and I never went to the cinema. I had a single mom who just planted me in front of the television.

The relationship between a director and an editor in documentaries is so important.

Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.

When you are in the prayer room you forget about the outside world and fall into a Christian rock coma, and nothing else seems to matter.

The product Disney created actually changed a life, and that was significant to them. They didn't stand in my way at all.

Someone sent an email to Reverend Joanna Watson [an American missionary] saying that I'm gay, and she sent it to all the anti-gay pastors in Uganda. One of them said, "We're going to take care of this guy." When I was confronted by them I didn't know what they were going to do, but they decided to pray over me. They said they were going to cure me. That didn't work, of course.