The relationship between a director and an editor in documentaries is so important.

Zwarte Piet, or 'Black Pete,' is a relic from slavery. It is something that should have long been eliminated, and it's very insulting to black Dutch people. It's shocking to me that it still exists, but I think it's about the lack of knowledge and education regarding the roots of the character in the slave trade.

Someone sent an email to Reverend Joanna Watson [an American missionary] saying that I'm gay, and she sent it to all the anti-gay pastors in Uganda. One of them said, "We're going to take care of this guy." When I was confronted by them I didn't know what they were going to do, but they decided to pray over me. They said they were going to cure me. That didn't work, of course.

Someone told me once that I'm worse than a dog, I'm the scum of the earth, so for me it was draining.

I had full access to the material, and had a great relationship with Sean Bailey, the president of Disney productions. He really guided me through the licensing process of the footage. I made presentations to the various departments at the studio, and they were moved by Owen's [Suskind] story.

I both didn't know Owen [Suskind] beforehand and didn't have any connection to the autistic community. But Owen wasn't really a problem, because he participated in the writing of the book and wanted people to see him as he truly is. As far as the cameras, Owen lives in the moment and the cameras really didn't distract him.

When you are in the prayer room you forget about the outside world and fall into a Christian rock coma, and nothing else seems to matter.